Category: 27th January 2018

Mozart (1756 – 1791) Horn Concerto No 3 in E flat, K447 (1783)

Mozart (1756 – 1791) Horn Concerto No 3 in E flat, K447 (1783)

i.  Allegro   ii.  Romanze (Larghetto)  iii.  Rondo (Allegro) We are fortunate that the tradition of composers being inspired by and writing for soloists continues to this day; twentieth century examples include violin concertos written for David Oistrakh by a vast range of composers including Prokofiev and Shostakovich, and a similar collection of cello concertos for…

By Graham Darke 27th January 2018 Off

Wolfgang Amadeus Mozart (1756-1791) Overture Cosi Fan Tutte (1790)

Wolfgang Amadeus Mozart (1756-1791) Overture Cosi Fan Tutte (1790)

One of the greatest artistic partnerships in musical history reached the last of its great trio of operas with the composition of Cosi fan Tutte (‘Thus do all Women’) in 1790. Mozart had met Lorenzo da Ponte at the home of Baron von Wetzlar in Vienna in 1783 and the two were immediately intrigued by…

By Graham Darke 27th January 2018 Off

Beethoven (1770 – 1827) Overture Coriolan Op 62 (1807)

Beethoven  (1770 – 1827) Overture Coriolan Op 62 (1807)

Many composers in the nineteenth century were to be inspired by Shakespeare, from Berlioz (Beatrice and Benedict, Romeo and Juliet), to Tchaikovsky (Hamlet, another great Romeo and Juliet,) to Verdi (Falstaff), and it might be thought that Beethoven’s Coriolan was an early example, drawing on the harrowing tale of the Roman Coriolanus, whose revolt against…

By Graham Darke 27th January 2018 Off