Sir C. HUBERT H. PARRY (1848-1918) Jerusalem (1916 – orchestrated Edward Elgar 1922) Words by William Blake (1808)

Hubert Parry was born in 1848, the year of European unrest, and died almost exactly 100 years ago on 7 October 1918, just over a month before the end of the First World War. He was Director of the Royal College of Music for some 35 years, his students including Vaughan Williams, Holst, John Ireland […]

PETER ILICH TCHAIKOVSKY (1840-1893) Marche Slave, Op 31 (1876)

Marche Slave (pronounced ‘Slahv’ and meaning Slavonic March) was written in 1876 at a time when Tchaikovsky was at a low ebb, struggling with all aspects of his life including finances and his sexuality. Shortly afterwards he was set on his feet by the mysterious widow Nadezhda von Meck, whose financial support meant that he […]

JULES MASSENET (1842-1912) Ballet Suite: Le Cid (1885)

Castillane Andalouse Aragonaise Aubade Catalane Madrilene Navarraise Jules Massenet was a prodigy who entered the Paris Conservatoire aged just 11, eventually studying opera composition under Ambroise Thomas, the Director of the Conservatoire and composer of the opera Mignon; Massenet would become a teacher himself at the Conservatoire in 1878, and still later take over from […]

HECTOR BERLIOZ (1803-1869) Overture: Le Corsaire (1844)

Following the break-up of his marriage in 1843 Berlioz busied himself with drawing together a manual for composers on how to write for the various instruments of the orchestra — intriguing in that, almost uniquely, he had become one of the first virtuoso orchestrators in musical history with no keyboard skills, and with scarcely any […]

JEAN SIBELIUS (1865-1957) Tone Poem: Finlandia, Op 26 (1900)

2017 saw the 60th anniversary of the death of one of the twentieth century’s great composers, Jean Sibelius; beginning as a major participant in the nationalist movement amongst composers such as Tchaikovsky, Dvorak, Grieg and Smetana, Sibelius followed the former two in producing a symphony cycle which transcended its origins and developed into a universal […]

EMIL von REZNICEK (1860-1945) Overture: Donna Diana (1894)

Reznicek was born in Austria of Czech parentage and began conducting and composing during his Music Degree in Graz before moving to Berlin and then Prague, where he was Musical Director for the Prague Infantry. Here his operawas premiered in 1894, and it became his greatest success. Eventually settling in Berlin he toured all over […]

HAMISH MacCUNN (1868-1916) The Land of the Mountain and the Flood (1886)

Hamish MacCunn was one of Scotland’s most distinguished musicians. As one of the first students to gain a scholarship to the Royal College of Music he studied in London with the twin pillars of the British musical establishment, Parry and Stanford, and later taught at the Royal Academy and the Guildhall School of Music. Like […]

PETER ILICH TCHAIKOVSKY (1840-1893) Fantasy Overture: Romeo and Juliet (1880)

It is fair to say that no Shakespeare play has inspired a greater number of composers than Romeo and Juliet; indeed it is also arguable that, of all musical adaptations from the Bard, few surpass in quality those based on the timeless story of the two ‘star­cross’d’ young lovers, whose youthful passion is destroyed by […]